Archive for October, 2007
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The Tragic Hero
Posted by Philipp Brieler on 10/18/2007
4 days until the Macbeth premiere!
“There’s no other title hero in any of Verdi’s operas like Macbeth,” says Serbian baritone Zeljko Lucic, who sings the role in Adrian Noble’s new production. “It’s his ambition that leads him to crime, disaster, and ultimately to his death. Like every tragic hero, he falls victim to a side of his own nature that he doesn’t understand, that forces him to do the exact opposite of his principles.” Horrible as Macbeth’s deeds are, Noble points out that he’s still a character audiences can identify with: “If he were just a brute,” the director explains, “he wouldn’t have a conscience, therefore he wouldn’t see the ghost of Banquo, he wouldn’t see these horrible things. The tragedy is that he’s vulnerable, that’s the shocking thing about it. That vulnerability is the highway that the audience travels on.”
Here’s a preview of some of the most dramatic scenes in the opera.

The moment that sets the drama in motion: Macbeth hears the witches’ prophecy.

Plotting the assassination of King Duncan (with Maria Guleghina as Lady Macbeth).

Macbeth sees Banquo’s ghost (John Relyea) at the banquet.
Photos: Ken Howard/Metropolitan Opera
Lady Macbeth’s Letter
Posted by Peter McClintock on 10/17/2007
The Tragic Hero
Posted by Philipp Brieler on 10/18/20074 days until the Macbeth premiere!
“There’s no other title hero in any of Verdi’s operas like Macbeth,” says Serbian baritone Zeljko Lucic, who sings the role in Adrian Noble’s new production. “It’s his ambition that leads him to crime, disaster, and ultimately to his death. Like every tragic hero, he falls victim to a side of his own nature that he doesn’t understand, that forces him to do the exact opposite of his principles.” Horrible as Macbeth’s deeds are, Noble points out that he’s still a character audiences can identify with: “If he were just a brute,” the director explains, “he wouldn’t have a conscience, therefore he wouldn’t see the ghost of Banquo, he wouldn’t see these horrible things. The tragedy is that he’s vulnerable, that’s the shocking thing about it. That vulnerability is the highway that the audience travels on.”
Here’s a preview of some of the most dramatic scenes in the opera.
![]()
The moment that sets the drama in motion: Macbeth hears the witches’ prophecy.
![]()
Plotting the assassination of King Duncan (with Maria Guleghina as Lady Macbeth).
![]()
Macbeth sees Banquo’s ghost (John Relyea) at the banquet.
Photos: Ken Howard/Metropolitan Opera

